Chicago

Chicago is one of the most commercially successful bands in modern American music, one that has been running continuously in some form or another for decades. But the Chicago of today (of the last thirty plus years, really) is nothing like the group in its original incarnation. The band that eventually became known for love ballads and Lite FM radio began in the late 60's by a bunch of young hippies eager to play experimental, politically charged jazz/rock fusion.


What, then, caused their eventual shift in tone? There are many factors, but the catalyst was the loss of what is arguably the heart and soul of the band, Guitarist Terry Kath. Kath was incredibly skilled with his instrument, drawing praise from even the likes of Jimi Hendrix. His experimental performances and soulful voice dominated the band's earliest albums. Unfortunately, he was also a lover of firearms and drugs, which lead to him accidentally shooting himself in the head in the late 1970's. The band would try to move on, and would eventually land even greater success than they had in Kath's lifetime, but musically and artistically, they would never be the same again.

Most Chicago fans I have read agree that this era of "Classic Chicago" ends with Kath's death, but many would argue that the quality of their output went downhill sometime earlier. How much earlier varies from person to person. For some, Chicago is worth listening to through their first seven records. Others stop after five. Even fewer like only their first two, and I've even seen purists who only care about their debut release.

I too prefer the early albums, though I haven’t listened to enough of them to say where my cutoff point is (I’m going to guess it won’t go past their 10th album). At the same time, I can appreciate some of their later pop hits, if only as a guilty pleasure used sparingly.

Here are a few fun facts for anyone interested in the band’s discography:

- One of Chicago’s early band names was “Chicago Transit Authority”, which they had to shorten once the real CTA told them to do so. However, they managed to get their first album out before the name change. If you ever see an blue/yellow album cover with the title “Chicago Transit Authority”, know that it isn’t another band, or a weird aberration. It’s the band’s first record, and one of the few that I consider a must own.

- The band's releases are organized using a loose numbering system. Both their original works and compliations fall under this system, and there have been quite a few Greatest Hits works over the years. This is why you can walk into a music store and see a CD labeled Chicago 30.